Isabel Costello’s debut novel Paris Mon Amour was released in June 2016 in digital and audiobook. She also hosts the Literary Sofa blog, where you can find her selection of recommended Summer Reads 2016. Isabel attended the The Writers’ Workshop Festival of Writing in 2012 and 2013 and hopes to return one day!
Like any endeavour measured in years, my journey to publication has a number of significant milestones, starting with the decision seven years ago to stop talking about wanting to write (don’t most people?) and get on with it (most people don’t). Fast-forward three years and I had a novel ready to submit to agents (or so I thought) and attending the York Festival of Writing for the first time in 2012 was a watershed: as well as being sociable, stimulating and educational, it made me realise just how many people shared my precise goal of getting their novel published.
It was the best kind of wake-up call: slightly alarming at the time but the catalyst for good things. Without it I doubt I’d have reached – another four years later! – the most exciting landmark so far: publication of my debut novel Paris Mon Amour. Many people have been astonishingly generous and supportive on a road that’s had a few bumps, as most paths to publication do. I’ve learned a lot – and not just about how to write books. This is definitely not a ‘How to…’ (it’s pretty obvious I don’t have a magic formula.) For me and most of the writers I know, getting published has been mostly down to persistence and hard work.
1. Reading matters
Reading as a writer alters the experience in a way that can be distracting, but noticing the structure, the language, even being able to guess the twist or the ending three chapters in (so annoying!) are signs of developing your own sense of what works. Payback time comes when you forget to register any of that because you’re so immersed in the story. That’s inspiration. It’s what you’re aiming for.
2. Friends matter
You might be – and hopefully are – writing ‘the book/story only you can write’ but that doesn’t mean you have to go it alone. The camaraderie and support amongst writers at all stages has been one of the best parts for me. It’s easy to connect with social media and events like FoW – I’ve made wonderful friends this way I would never have met otherwise. But keep in touch with your other friends to avoid living in a literary bubble.
3. It’s all about the book – seriously, it is
…with a very large side of luck and timing. In a business where getting anywhere is very hard, it’s easy to invent imaginary obstacles. It probably doesn’t hurt to be young, movie-star gorgeous with a life story as fascinating as your book, but it’s far from essential. Not saying they aren’t great, but you do not need an MA in creative writing. (I have no writing qualifications.) And don’t fret about ‘who you know’ (or don’t) in the business. Frankly, if that made a difference it wouldn’t have taken me this long to get published!
4. There’s nothing like professional input
This is a tricky one because it generally involves money, but the reality is that to get noticed by agents, publishers or competition judge you need to be submitting work that’s already of publishable standard, or very close. When I think mine’s good enough, it rarely is, and the honest, constructive input you need at that point is unlikely to come from anyone who’s not a confident and experienced editor. A structural edit following my first York Festival transformed my fortunes entirely, resulting in a choice of agents. It was worth every penny.
5. Don’t pin your happiness on an outcome you can’t control
Learning to cope with the inevitable setbacks in a positive way is important, and something I’ve discussed openly along the way. Some advice from Lionel Shriver at an event I attended has stayed with me: write what matters to you – it’s the only way you can be sure your time is well spent. There are no guarantees in this business. Although it’s impossible to avoid completely, comparing yourself to others – your process, your book, your success – is not a good use of time or energy. The most important lesson I’ve learned is to focus on the only part I can control: producing the best work I can. Closely followed by enjoying other things!
6. Visualise success, but not what it looks like
I know this sounds like a contradiction, but positive thinking can be a self-fulfilling prophesy too! I could always picture myself succeeding, however remote the prospect (and for a long time it really was). ‘Disruption’ in the book business has led to many new ways of reaching readers. I may not have anticipated my novel coming out first in digital and audio but I know an exciting opportunity when I see one.
7. The right way is the way that works for you
Faced with the deluge of generic tips directed at writers, there’s an art to identifying those which motivate, assist and inspire you in your work – thereby making it more enjoyable, and you more likely to stick at it – and ignoring all the rest. For every person inspired by ‘write what you know’ or ‘write every day’ there are many more left cursing and grinding their teeth. Ultimately it’s not about the method; it’s the end result that matters.